George Wilson, after seeing his wife die in a tragic car accident, gives the eyes of Dr. T.J. Eckleburg a whole new meaning. Wilson, a very non-religious man, compares the doctor's eyes to those of God, watching over him through the "foul dust" and desolate wasteland in which the novel is set. This is only one of many religious overtones mentioned or hinted at by Fitzgerald throughout The Great Gatsby. At the end of the first chapter, we see Gatsby reaching out for the green light, almost in the attitude of a worshiper. This is the first suggestion Fitzgerald gives us that Gatsby's quest for Daisy is more than just a physical endeavor, but a spiritual one as well. During the flashback in chapter seven, when Gatsby first met Daisy, his mind is compared to the mind of God, which will never act the same again if he kisses her. A chapter earlier, Nick writes the following concerning why Gatsby changed his name:
"He was a son of God - a phrase which, if it means anything, means just that - and he must be about His Father's business, the service of a vast, vulgar, and meretricious beauty. So he invented just the sort of Jay Gatsby that a seventeen-year-old boy would be likely to invent, and to this conception he was faithful to the end." (63)
Gatsby, by changing his name, in a way creates himself anew, making his life more like that of God. In chapter eight, we find two instances of religious imagery. Daisy is compared to the "Holy Grail" and Gatsby's dream is like a knight's quest, showing once again the dream's spiritual nature. Also in this chapter, we see Gatsby, after the car accident, looking over Daisy from her yard, trying to protect her. His watch over her window is compared to a vigil, and while Nick talked to Gatsby that night, he sensed that his presence was ruining the "sacredness" of the moment. However, Gatsby's vigil was over nothing - Daisy was never in her room that night - much like Gatsby's dream is over a nonexistent person. The Daisy he met and fell in love with years ago is not the same person anymore, and as much as Gatsby thinks that he can repeat the past, in the real world it is proven to be impossible. On one level, Fitzgerald gives us Gatsby's dream as a spiritual quest, but on another level, we find out that this is yet another reason why his dream fails. His faith is misplaced, because the object of his quest is nothing more than Daisy Buchanan. In turn, Fitzgerald is saying that the spirituality of America is misplaced because of our obsession with material wealth, which creates a sort of national delusion.
Millett
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